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‘Ordo Costruo?’ he asked, with a touch of the reverence one heard in Yuros, rather than the antipathy Alaron expected. I am learn.’ He twirled his staff dextrously. ‘Do you speak Rondian?’ he said, enunciating slowly and loudly. Puravai bowed and left, and Alaron looked uncertainly at Yash. It made him grin, remembering, and to his surprise the young novice reciprocated, his white teeth illuminating his dark face, and then it was impossible to say no. Yash ducked his head, and Alaron immediately recognised his unease – after all, he had grown up with parents who felt no compunction about discussing him around the dinner table as if he wasn’t there. ‘Because young men require company, and Yash has yet to settle into this secluded life.’ Puravai smiled wryly. ‘Why?’ Alaron looked worried was this some kind of attempt to spy on him? Will you accept his companionship?’ the Zain master asked formally.
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He was stocky but muscular, and carried a metal-heeled stave taller than himself.
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Master Puravai told him there were female Zain cloisters in some of the larger Lakh cities, but the monks here were all male: even so, none of them came near him.Īlaron was working on his forms when Puravai came into the courtyard, followed by a shaven-headed young novice in a dark crimson robe. He really missed having someone to talk to. It was the same with the gnosis, which he also practised when he knew he was entirely alone – just simple workings, more about releasing energy than anything else. There was something about having used the blade for real that made training more focused. He thought perhaps he’d improved a bit since Turm Zauberin. He longed to move, though he knew they couldn’t, and that made him prickly and irritable.Īt last he started practising his swordsmanship, going through the familiar forms over and over again. He explored the monastery, which had been gradually built up over hundreds of years, like an enormous wasp nest, but he was becoming increasingly restless. Once the skiff was repaired, Alaron had plenty of time on his hands. Occasionally they vented their lungs, sending piercing shrieks echoing through the vast complex – an utterly alien sound in such a place – but most times they could be quietened easily enough by laying them as close together as if they still shared a womb. Thankfully, the Lakh girl soon took pity on him and became more decorous.Īs for the newborn children, they were content to sleep and suckle and foul their wraps over and again.
Dokken moontide quartet skin#
He’d become somewhat inured to bare skin when around the lamiae, but Ramita’s breastfeeding was another matter entirely. Ramita seemed grateful for his company, even if he was constantly having to avert his eyes. He assumed there was something in their vows that forbade much contact with women. The midwife had gone, and though the monks cheerfully brought them food, they clearly expected him to care for Ramita alone. She moved like a walking corpse, never more than half awake as she stumbled from sleep to feeding and back in a cruel four-hour cycle. Published by arrangement with Quercus Editions Ltd (UK).But there was no question of moving on, not yet. ©2012 David Hair (P)2014 Brilliance Audio, all rights reserved. but it is three seemingly ordinary people that will decide the fate of the world. Now, the third Moontide is almost here, and this time the people of the East are ready for a fight. The Magi are hell-bent on ruling this new world, and for the last two Moontides they have led armies across the bridge on "crusades of conquest". Most of the time the Moontide Bridge lies deep below the sea, but every 12 years the tides sink and the bridge is revealed, its gates open for trade. This strong debut should draw in fantasy readers of all stripes." Hair portrays a stark and beautiful world breaking apart, with both good and evil characters desperate to reshape it through magic, war, and treachery. In a starred review of Mage’s Blood, Publisher’s Weekly said, "This multilayered beginning to the Moontide Quartet plunges listeners into a taut network of intrigue and mystery that tightens with each chapter.
Dokken moontide quartet series#
Mage’s Blood, the first volume of a series called The Moontide Quartet, is Hair’s first work of adult fantasy. David Hair is the award-winning writer of two young adult fiction series, The Aotearo and The Return of Ravana (based on the Vedic epic The Ramayana).